Cristin O'Loughlin | Figurative Painting and The Female Image
For most of art history, the image of a woman was not hers to control. The angle, the light, expression, context and meaning were all decided without her consent.
That has changed. And the change is enormous.
For the first time in the history of portraiture, women are simultaneously the performer, the artist and the viewer. The camera phone gave women an authorship they were long denied. My work begins here, at this moment, because it matters more than we are stopping to recognise.
I take images of women from social media and pull them apart. Lips are enlarged until they fill the face. Noses are sometimes removed from their context. Features fragmented and rebuilt on scale that just makes you stop at what we otherwise scroll past. How narrow the ideal is. How relentless it is repeated. How much labour goes into looking effortless. I work across collage, painting and drawing across translucent paper, LED, acrylic and canvas. Each surface changes how the image sits.
These pieces are not a critique of the women I depict. They are acts of attention and solidarity. Posting an image of yourself is a radical act of authorship. It has been historically withheld, hard won, but exposed.
The confidence in these poses is real. So is the vulnerability.
SELECTED EXHIBITIONS
Upcoming:
2026 – The Body Electric, with Billie Adele, Garter Lane Arts Centre, Waterford
Past
2024 Hidden Worlds, curated by Eamonn Maxwell, Westgate, Wexford
2019 Continuum, Covent Garden, London
2019 MFA graduate exhibition, National College and Art and Design, Dublin
2019 Circles of Confusion, Civic Centre, Gorey
2018 In Public, In Particular, Dambruggestrat, Antwerp
2018 All Other Places, Point Square, Dublin
2017 Darling Pretty, Rosc House, Gorey
2017 Beats and Pieces, Glebe House, Betts-y-Coed, Wales
AWARDS
2025 Artlinks Bursary Award
RESIDENCIES
Upcoming: Tyrone Guthrie Centre, Annaghmakerrig